The Appetite · Episode 99
Certainty of Death Appetite
2,227 words
Tommy the Hamburger is diagnosing the Appetite. This is about hunger, not the kind in your belly, but the deeper cravings that run people without their permission. The need to be seen, to belong, to dominate, to disappear, to be told yes. Every stupid, vicious, pathetic thing people do starts with some version of wanting, so let's cut this motherfucker open and see what's actually moving.
The room was too bright for the conversation it was holding. Folding chairs, stale coffee, a church basement somebody had tried to make less depressing with a tray of supermarket cookies. On the wall there was a cheap poster about gratitude. In the center of the room, six strangers were talking calmly about what songs they wanted played at their funerals, which siblings could not be trusted with medical decisions, and whether they wanted to be burned, buried, scattered, planted, or left the fuck alone. Nobody was weeping. Nobody was acting haunted. They looked relieved.
This is not suicidal hunger. Not gothic costume shit for its own sake. Not a cry for help disguised as philosophy. It is the appetite for the certainty of death, the strange hunger some people develop for looking directly at the one fact in life that does not negotiate. In a world made of bullshit forecasts, unstable jobs, fake promises, medical guessing, romantic ambiguity, and political lies, death is the one appointment that never flakes. Some people do not just fear that certainty. They want to press their face against it because it feels cleaner than the rest of reality.
Fuck me sideways, for certain anxious people that kind of certainty can start reading cleaner than hope.
This appetite can feel almost comforting. Death is terrible, but it is not vague. It is not mixed message terrible. It is not "let's circle back next quarter" terrible. It is the blunt edge of reality. For anxious people, especially, that bluntness can read like peace. If everything else moves, if everything else betrays, if every structure in your life is unstable, then the certainty of death can start to feel like the only fixed beam in the whole collapsing house.
That does not mean the person wants to die. That is where people get lazy and stupid. A person can be deeply attached to life and still feel magnetized by the certainty of its ending. In fact, that appetite often shows up in people who are trying very hard to live honestly. Hospice volunteers. Funeral workers. The woman who keeps her paperwork in order because she watched her mother die in chaos and refuses to leave that mess behind. The friend who actually says, out loud, what everyone wants done if the machines start humming and the body is already half gone. These people are not courting death. They are trying to stop letting denial run the room.
Usually this appetite grows out of one of two pressures, and often both. The first is anxiety. Not generic nerves. I mean the deeper kind, where uncertainty feels like poison. The person cannot stand open loops. They hate waiting for test results, hate not knowing if the relationship is over, hate wondering whether the job will disappear, hate the floating condition of being alive without guarantees. Death becomes perversely attractive as a certainty because at least it closes the loop. At least it is not dangling there like a hook in the dark.
The second root is early contact with mortality. Somebody saw death up close before the culture had finished lying to them about permanence. A dead parent. A dead sibling. A friend gone in a wreck. A neighborhood where people disappeared young enough that funerals stopped feeling exceptional. Once a person has that kind of exposure, the normal fantasy that life is basically stable until old age can get blown to pieces. They know better. They know the floor is fake. So they start making their peace with the truth instead of participating in the communal delusion.
That truth contact can feed something healthy. A person who admits death is real often stops talking like time is infinite. They write the will. They make the call. They leave the bad marriage. They get less impressed by prestige and more serious about tenderness. They say what they want. They stop pretending that avoidance is sophistication. The appetite for death certainty, at its best, strips the fake protective wrapping off life and forces a person into contact with scale, limit, and consequence.
That is the reward. Not morbidity. Clarity. Seriousness. A weird reduction in background noise. Once death is permitted into the room, a lot of smaller bullshit loses its authority. Office politics shrink. Trendy posturing shrinks. Petty resentment starts looking expensive. A person can become less frightened of embarrassment once they genuinely understand what is coming for everyone. The appetite gets temporarily fed because mortality contact can clean the lens.
But like any appetite, this one can distort. The first distortion is identity theater. A person starts treating death awareness as proof they are deeper than everyone else. Now every conversation gets steered toward decay, grief, terminal diagnosis, extinction, endings. They become the one in black at brunch, the one who keeps correcting other people's hope, the one who confuses emotional heaviness with honesty. They are not actually metabolizing mortality. They are using it as a superiority costume.
The second distortion is control fantasy. This one is subtler. A person tells themselves they are confronting death courageously, but what they are really doing is trying to dominate it by overpreparing, overplanning, overstudying, overnarrating. Every drawer labeled. Every contingency arranged. Every funeral playlist edited three times. Every body symptom interpreted through a private doom lens. On the surface it looks mature. Underneath, it can be the same old terrified little brain trying to bargain with the one thing that does not bargain back.
The third distortion is the ugliest: death certainty starts leaking into life as a form of withdrawal. If everything ends, why invest? If everybody dies, why love them hard? If the body will fail anyway, why care for it? If institutions collapse and species vanish and memory thins and graves sink, why build anything? This is where honest mortality contact curdles into nihilism. The appetite that could have made a person more alive starts making them emotionally pre dead.
That is who gets hurt. Partners get abandoned emotionally by somebody who calls it realism. Kids get raised inside a weather system of dread. Friends get forced to carry one person's compulsive existential processing every time they just wanted a fucking sandwich. Care workers burn out because death became their whole moral vocabulary instead of one truth among several. Even the person carrying the appetite gets harmed when they start treating confrontation with death as their only route to seriousness.
Because here is the hard part: death is certain, but certainty is seductive in ways that can become unhealthy all by itself. People who are starved for stable ground can start leaning on mortality too hard. They begin to use death as an emotional organizing principle for everything. Every joy gets pre mourned. Every relationship gets haunted in advance. Every future plan gets handled like a temporary joke. They call this wisdom. Sometimes it is just fear in a more literary jacket.
The healthier version of this appetite does not make a shrine out of death. It lets death do its job and no more. Its job is to clarify limit, not colonize every room in the house. A good death facing life says: because this ends, I need to choose more honestly. A damaged death facing life says: because this ends, everything is contaminated in advance. Same fact. Totally different use.
The appetite often creates rituals. Death cafes. Advance directives. Wills. Visiting graves. Keeping photographs of the dead where they can actually be seen. Talking plainly about burial, cremation, organ donation, hospice, feeding tubes, do not resuscitate orders, all the shit polite culture prefers to hide until people are too shocked to think clearly. These rituals can be real containers. They let the person touch the certainty without drowning in it. They make mortality social instead of isolating. They turn the abstract end into something speakable.
That social piece matters a lot. Publicly, people still act like open death talk is morbid, rude, unlucky, dramatic, too heavy for the room. Privately, many of those same people are desperate for somebody to say the words first. They want permission to ask what happens if the tumor comes back. They want permission to admit they are scared of leaving debt and clutter and children behind. They want permission to say they do not want endless intervention if their mind is already gone. They want permission to mourn before the funeral. Death certainty appetite often becomes useful because one person in the room finally stops flinching.
And that can spread. Not like a fad. More like courage spreads. One honest conversation about death makes the next one easier. One sibling saying, "We need to talk about Dad's wishes now, not after the stroke," can save a family from tearing itself apart later. One friend admitting she keeps a funeral folder can make three other people confess they meant to do the same thing. One nurse who speaks plainly can stop a whole ward from drowning in euphemism. The appetite has communal value when it lowers denial without worshipping despair.
Still, there is a class line and a power line running through this appetite too. Rich people get to aestheticize mortality with tasteful planning binders, green burials, end of life doulas, legacy letters, curated remembrance. Poor people often meet death as paperwork panic, GoFundMe panic, landlord panic, custody panic, unpaid leave panic, debt panic. So even the appetite for certainty can get shaped by material conditions. One person gets reflective confrontation. Another gets administrative terror. That matters, because sometimes what looks like "death obsession" is really just living close to unprotected death.
The appetite can also become a workaround for grief that never got metabolized. Somebody loses a parent, never really mourns, and then spends ten years circling mortality discourse because it is easier than touching their own specific wound. They read, attend, volunteer, plan, ritualize, speak brilliantly about impermanence, and still cannot cry about the one face they lost. Death certainty becomes a general theory that protects them from the particular ache. Again: not fake, not meaningless, but still evasive.
So the ethical tension is this. We need more truth about death and less euphemistic cowardice. We need more planning, more conversation, more contact with the fact that bodies fail and time closes and denial is a filthy little thief. But we do not need death romanticized into an identity, a posture, or a mood that bleeds the color out of living. The appetite is useful when it makes life more deliberate. It becomes corrosive when it starts treating vitality as naivete.
That is the line I trust. After somebody spends time with death certainty, do they come back more present, more honest, more able to love without pretending permanence? Or do they come back dimmer, colder, smugger, more detached, more committed to being the only serious person in every room? If it is the first one, the appetite is being handled. If it is the second, the certainty is no longer clarifying them. It is eating them.
What does this appetite actually want, underneath all the black clothing, paperwork, hospice shifts, cemetery walks, advanced directives, and panic searches about what dying feels like? It wants a stable truth. It wants one thing in the universe that will not move when everything else moves. It wants reality without spin. It wants contact with the limit so the rest of life stops pretending to be endless. In that sense, it is not really an appetite for death alone. It is an appetite for honesty under conditions where honesty hurts.
It can never be fully satisfied. Death remains certain, yes, but never totally knowable from this side. So the person keeps circling it. Talking about it. Planning around it. Looking at it through the deaths of others, through ritual, through work, through imagination, through fear. The appetite gets fed in glimpses, not permanently. A good conversation helps. A will helps. Sitting with the dying helps. Standing by a grave helps. But no act of confrontation completely digests mortality. The point is not final mastery. The point is not to live in a way that requires constant lying about the edge.
Under the funeral planning, the graveyard walks, the hospice calm, and the compulsive need to think about endings before everybody else will, the real hunger is for one stable truth in a life full of moving bullshit. From there the behavior reads differently. Sometimes the person is not glamorizing death at all. They are trying to steady themselves against chaos by leaning on the one limit that will not lie. But if that appetite takes over, they stop using death to clarify life and start using it to drain the life out of everything before it is time.
That's the Appetite. Every behavior is a fucking hunger signaling once you learn how to read it, and once you see the craving underneath, the excuse on top starts sounding a lot less convincing.