Would You Rather · Episode 60
Petty Awards
1,852 words
Get ready, Tommy the Hamburger is about to twist your motherfucking brain. You're going to get two choices, and an examination of the fucking thought process behind both. Shit's about to get detailed and complicated, so you better pay attention.
All right. Here is the motherfucking dilemma.
Would you rather host an annual awards gala celebrating the pettiest grudges and slights, or attend as the nominee for Pettiest Legend and defend your crown in front of everyone?
I am already on the stage. The curtains are thick and red and dusty, the kind of theater curtains that make every entrance feel like a public mistake dressed up as prestige. The spotlight is hot on one side of my face and cold everywhere else because the air conditioning in this place is fighting a losing war against packed bodies, expensive liquor, and formal clothes stretched over private bitterness. The room smells like perfume, champagne, stage paint, and the sour little thrill that comes off wealthy people when they know somebody is about to get humiliated in a decorative setting. Backstage there is a table full of little gold statues that look elegant from a distance and cheap as hell up close. Fuck me sideways, the whole night feels like resentment put on cufflinks and rented a string section.
One option puts me at the podium running the show. I get the cards, the categories, the jokes, the timing, the power to drag every simmering little grudge into the light and hand it a trophy. The other option puts me in a tuxedoed chair under camera coverage while a ballroom full of polished little venom merchants debates whether I deserve to be crowned Pettiest Legend based on every cold shoulder, every remembered slight, every delayed revenge, every tiny social knife I ever kept sharp.
That is the trap. One side makes me the master of ceremonies for pettiness. The other side makes me its specimen.
Start with hosting, because this is the side that comes with leverage. If I am at the podium, I control the temperature of the room. I decide whether the jokes land like scalpels or like bricks, and how much blood the categories are allowed to draw before the orchestra tries to cover it with something classy, and whether the whole event feels like satire, exposure, or a formal banquet for people whose souls got stuck in the shape of a grudge and never stretched back out.
That power matters. I do not have to wonder how the room sees me every second, because I am busy steering it. I can smell when a category is about to hit too close and redirect. I can see when two ex friends are sitting three tables apart pretending not to tense at the same name. I can choose whether the line about revenge wedding seating charts gets thrown like a dart or softened into something the lawyers can survive. Hosting is still dirty work, but it is active dirty work.
The body cost would still be real. The shoulders stay locked all night because one wrong joke can turn a rich person's embarrassment into an incident. The throat dries out under hot lights. Every pause needs to be measured because pettiness is funny right up until the moment somebody stands up furious and you realize the category title was not abstract to them at all. The room would be full of people laughing too hard at behavior they absolutely practice in private, and part of my job would be holding that laugh at the right height so it does not become a riot in eveningwear.
There is risk in the archive effect too. Once you host an event like this, everybody starts bringing you material. Emails about old slights and screenshots and family lore would start pouring through the doors, followed by every seating chart revenge story and every eight year silence over some parking dispute because the petty always think their version is special. I could end up becoming the priest of grievance for people who should have gone to therapy or at least taken a long angry walk instead of building a whole inner chapel around being offended in 2018.
That is dangerous. I know it.
Because hosting can slide from exposure into cultivation. Do it too long and suddenly I am not mocking pettiness. I am curating it. Rewarding it. Training the crowd to think the sharpest score keeping deserves annual recognition and a better sponsor. That is how a funny diseased idea becomes a cultural institution. One year it is irony. Three years later some brittle little aristocrat is practicing strategic exclusion at home because they want a nomination in Best Sustained Social Frostbite.
Still, even with all that rot, hosting leaves one critical thing in my hands. Interpretation. I am not strapped to the chair while somebody else decides what my history means. I get the mic and the frame, and I get enough distance from the disease to point at it without lying down in it.
Now drag the nominee seat into the light. This one is filthier right away because it is passive exposure pretending to be honor. Pettiest Legend. Just the title alone is a trap dressed up as applause. It takes every old grudge and every nasty little receipt I ever kept and turns them into evidence for a character diagnosis in a room full of people who came dressed to enjoy it.
I can see the exact moment. The camera is on and the suit is pressed, and my smile is locked somewhere between amused and defensive because anything else gets used against me. The presenter drags the envelope open slow because everybody loves blood sport when it is formally paced. Then the examples start rolling out, one after another, about old grudges I carried too long and slights I refused to let die and rivals I chose not to forgive. The laughter starts in layers, with some of it sounding affectionate and some cowardly and some just plain hungry.
That body cost is vicious because I do not even get motion. I just sit there while the room studies me, and the ears heat up while the jaw tightens and the stomach goes metallic. Every camera cut becomes another little extraction of dignity. I would have to perform reaction shots to my own reduction while a theater full of polished ghouls decided whether I was brilliantly petty, tragically petty, or their favorite kind of petty because it let them feel morally taller without giving up any of their own little poison habits.
And once that label gets attached, it starts eating future reality. That is the part I hate most. If I get publicly branded as Pettiest Legend, every later grievance gets pre discounted. Something real happens to me down the line and some smiling bastard gets to wave it off with there he goes again. Petty Tommy. That is the trick. The award would not just humiliate me for one night. It would install a shortcut in other people's heads so they never have to take my anger seriously again.
That is social vandalism.
Worse than that, the nominee side is rigged no matter how I play it. If I get up and own the crown, I help seal the caricature around myself, and if I reject it or try to explain the context behind some old grudge, I just sound humorless or defensive, which fattens the room anyway. The event wins by flattening me. It wants me simplified. It wants a person reduced to one shiny mean word that fits on a graphic package and a commemorative drink menu.
That makes my skin crawl harder than hosting ever could.
I need to push back on myself here because hosting is not secretly noble. Running the Petty Awards could absolutely poison me too. The categories would start training my eye. I would begin hearing every delayed reply as a nomination possibility. Every fake smile becomes material. Every wedding invite omission, every revenge RSVP, every suspiciously formal apology email after a casual insult becomes archive bait. That is a real danger. I could start living as a collector of smallness instead of a witness to it.
There is also the uglier truth that people love permission. If I make the gala too fun, too sharp, too glamorous, the audience stops feeling exposed and starts feeling licensed. They hear not look at your disease but good for you, sharpen it more. Then I have not just hosted rot. I have become one of its useful public relations employees.
I know that risk is real. I am not ducking it.
But the nominee seat is still worse because it gives away the one thing I refuse to hand over. Narrative control over my own motives. If there is going to be a room full of dressed up grudge merchants anyway, I would rather stand above the ballroom with the cards in my hand than sit in the chair while they turn my history into a collectible curiosity.
I can picture the exact moment that settles it. Under the nominee option, some old incident gets read out of context and the whole room laughs at the cleaner version because the cleaner version is easier to digest than the truth. In that second I would know I had lost ownership of the story to people who enjoy simplification more than accuracy. That feeling would stay in my gut longer than any backlash from hosting.
No. I am not giving them that.
So I choose the Petty Awards.
I choose it because if pettiness is getting stage lights either way, I would rather control the script than become somebody else's case study in formal clothes. Hosting lets me expose the disease without locking myself under its microscope, and being the bastard at the podium is still cleaner than being shrink wrapped into a category while a ballroom full of gold plated grudge addicts decides what my whole emotional life means.
Petty Awards is dangerous and manipulative, morally slippery and one bad producer away from becoming the dumbest annual institution in modern culture. But Petty Nominee is worse because it is a humiliation machine built to flatten a person into one entertaining trait while pretending that counts as insight. One side risks institutionalizing pettiness. The other side guarantees being reduced by it in public and for keeps.
That is why the gala wins. I would rather hand trophies to the bitter and keep one hand on the wheel than sit in the audience while the bitter hand one to me and call it truth. Hosting might stain me, but the nominee seat would brand me and pin me under glass while somebody else shaped the knife work.
I choose the Petty Awards because the other side is worse for the nerves and worse for dignity, and by the time it reaches the soul the damage is already done.
That's the fucking verdict. I made the call, and if your brain still works, you know where this lands.